LIMBO JETS
Opening: Friday March 29th from 6pm
Exhibition Running: March 29 - April 12 2019 - Thu - Sat 4-7pm
with
MARIA ANWANDER, JULIAN BEHM, MATEJ BOSNIĆ, HOLLI, YONI HONG, SZU-YING HSU, GREGOR KIESERITZKY, JULLA KRONER, DANIEL KUGE, SOPHIA LÖKENHOFF, PHILIP NUERNBERGER, LEA SCHÜRMANN, ORPHEO WINTER
First: A dance. Or was it a game, in which the back is bent as hard as one can go. Now: further down, almost kneeling. Keep up the tension and walk...further...ahead. Underneath that hurdle, without touching it, without losing the balance. Stretching your neck, rolling your eyes upwards to where the sky might be.
Second: The Purgatory. But first: To the waiting room. A transitional state for the mediocre surplus, the inbetweeners, the accidental perpetrators; those who didn't know better... and nobody cares about anymore. Damn... get started already!
Third: The Machine. Immaculate. So flawless; it turned out too fast – ultimately violating the human body. Supersonic, virtually. And insanely beautiful. But too fierce to handle.
Fourth: Darkness. When all stars have ceased, we will ride on mirrors. Ride into black holes - to mesmerize them with their image. While we spiral, faster and faster around their centres - at the right moment - we pierce through their skin. And we flee at the speed of light with multitudes of life
These stories. I've heard 'em all. Had already seen this somewhere. Read about it. Almost exactly that. Please - don't repeat it all over again. But if you'd ask me, if any of this was true… I couldn't tell
Text: Lea Schürmann
***
Im Zeitalter von Postinternet Art, Augmented Reality und der
Reproduzierbarkeit durch 3D-Druckverfahren erkunden Studierende der HBK
Braunschweig die Grenzen zur klassischen Bildhauerei. Unter dem Aspekt
der neuen technischen Möglichkeiten wird das Medium hinterfragt und über
den Versuch einer Dekonstruktion vielleicht wieder zur skulpturalen
Geste zurückgefunden.
Mit der freundlichen Unterstützung der HBK (Hochschule für Bildende Künste Braunschweig)
FB Event
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| Exhibition view |
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| MATEJ BOSNIĆ, Untitled, 140x200 cm, wood, sodium bicarbonate, 2019 |
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| MATEJ BOSNIĆ, Untitled, 140x200 cm, wood, sodium bicarbonate, 2019 (detail) |
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| SZU-YING HSU, Memory, UV resin, wood, 20x20x15 cm, 2019 |
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| Exhibition view; At the forefront: PHILIP NUERNBERGER, Einsiedlerkrebs, stone, steel, LED, 30x42x20 cm, 2018 |
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| GREGOR KIESERITZKY, Plan B (lange lange schlafen wo uns niemals jemand findet), digital print on alu-dibond, steel, 120x80x7 cm, 2019 |
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| Exhibition view |
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| DANIEL KUGE, MTM2-L2TS1G-19, mixed media, 60x40 cm, 2019 |
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| JULIAN BEHM, note to self, wood, steel, ceramic, 179x32x80 cm, 2019 |
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| ORPHEO WINTER, Tausend mal berührt, tausend mal ist nichts passiert, water, plastic, mixed media, rain barrel, 75x65x65 cm |
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| DANIEL KUGE, BMS2-G3US1M-18, steel, 42x32x70 cm, 2018 |
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| LEA SCHÜRMANN, ouroboros (Schwanz im Maul), fig trees, fabric, zippers, modelling clay, window colour, dimensions variable, 2019 |
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| LEA SCHÜRMANN, ouroboros (Schwanz im Maul), fig trees, fabric, zippers, modelling clay, window colour, dimensions variable, 2019 (detail) |
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Foreground: SOPHIA LÖKENHOFF, spell suit (prototype two), 3D printed resin, silicone pipes, shoes, textile, salt, steel, perspex disc, dimensions variable, 2019; Background:
DANIEL KUGE, BMS2-G3US1M-18, steel, 42x32x70 cm, 2018 |
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| Exhibition view |
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| HOLLI, SPINNING WHEELS, rims, steel, spur gear motors, PP tubes, 290x170x40 cm, 2019 |
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| JULLA KRONER, BABCIAS MEMY, engraved eggs, 2019 (detail) |
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| F.l.t.r. : JULLA KRONER, BABCIAS MEMY, engraved eggs, 2019; LEA SCHÜRMANN, ouroboros (Schwanz im Maul), fig trees, fabric, zippers, modelling clay, window colour, dimensions variable, 2019; YONI HONG, Black Horse running blind, plaster, 82x13x11 cm, 2019; MARIA ANWANDER, Untitled (Stone), mineral dust, resin, wood, neon light, 120x70x80 cm, 2018 |
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| MARIA ANWANDER, Untitled (Stone), mineral dust, resin, wood, neon light, 120x70x80 cm, 2018 |
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| F.l.t.r. : LEA SCHÜRMANN, ouroboros (Schwanz im Maul), fig trees, fabric, zippers, modelling clay, window colour, dimensions variable, 2019; YONI HONG, Black Horse running blind, plaster, 82x13x11 cm, 2019 |
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| YONI HONG, Black Horse running blind, plaster, 82x13x11 cm, 2019 (detail) |
Photo credit: gr_und
